Two poems from Bones Will Crow, the first anthology of contemporary Burmese poetry translated into English: “Achilles’ Heel” by Khin Aung Aye and “The Sniper” by Pandora. Both poems are translated by the poet Ko Ko Thett.
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Writer, photographer, and editor, Ahmel Echevarría Peré is the author of the novels Pastel Para Pitbulls, La Noria, and Búfalos Camino al Matadero. His short stories have appeared in numerous anthologies. He is a regular contributor to independent Cuban affairs online magazines.
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Lizabel Mónica is a writer whose experimental concepts alternate with narrative texts of high precision and transparency, where a certain pervert urge of her characters is always the result of corporal repression in human behavior. She is a writer of fiction, editor and art critic.
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Writer, digital editor, painter, and graphic designer, Carranza Lau is the author of Faithless, a collection of short stories, and her stories have appeared in several anthologies. She is staff member of the opinion, literary and news website Diario de Cuba.
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Lia Villares’ writing is herself, her motley room full of incense and music, her diaries half-finished or half-begun, her incredible blogs all of them called “Hechizamiento Habanémico Hebdomanario.” She is one of the most important social activists of the Cuban blogosphere.
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To mark the American debut of an anthology of contemporary Burmese poetry, Sampsonia Way reprints Khet Mar’s interview with editors James Byrne and poet Ko Ko Thett, in which they discuss the challenges of compiling the anthology, and Burma’s transition out of a culture of censorship.
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Encinosa Fú is one of the best writers of science fiction and fantasy epic genres in Cuba. But he is also a storyteller who explores realism to its very violent limits. Author of more than 11 books, his work has been included in more than 20 anthologies.
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