Author of the short story collection Zona de Exorcismo, Espineta Osuna takes refuge in an upper floor of one of the few tall buildings of Camagüey, Cuba. From there, with explosive silence, like a gladiator illuminated by her own letters, she has been writing a novel for years. Her texts have appeared in the Cuban literary magazines Antenas and El Caimán Barbudo.
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Autora del libro de cuentos Zona de exorcismo, Espineta Osuna se refugia en uno de los últimos pisos de uno de los únicos edificios altos de Camagüey, Cuba. Desde allí, en silencio explosivo, como una gladiadora iluminada de letras, escribe una novela desde hace años.
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Despite facing censorship and interference from Chinese authorities, blogger Li Chengpeng’s recently published The Whole World Knows became a phenomenal success.
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In part two of a series on freedom in society, Israel Centeno shows how the dystopia Aldous Huxley created in his novel Brave New World could become a reality.
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In this interview, Natasha Wimmer talks about becoming a translator, learning about Bolaño, and the United States’ relationship with literature in translation.
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In part one of a series on freedom in society, Israel Centeno uses Aldous Huxley’s Brave New World to dissect liberal dystopias and a future without freedom.
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In the third installment on Orwell’s 1984 and totalitarianism, Venezuelan writer Israel Centeno outlines the themes of 1984.
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