Kiss for Peace Project creators Nima Dehghani and Behzad Tabibian discuss the importance of social interaction between the US and Iran, the difficulties of challenging the stereotypical image of Iranians, and the ways in which censorship has affected their success.
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For the last four years, Monterey Street in Pittsburgh’s Mexican War Streets neighborhood has become a stage for “I Don’t Know What I’d Do If I Couldn’t Speak My Mind,” an open day-long poetry event showcasing dozens of writers. We speak to event organizer Adel Fougnies.
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Egyptian writer and Sampsonia Way columnist Hamdy El-Gazzar shares his notes from a recent stay at City of Asylum/Pittsburgh earlier this month. In this account, he stumbles upon the fun-filled art project Randyland, which is just around the corner from COAP writers’ residences.
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Egyptian writer and Sampsonia Way columnist Hamdy El-Gazzar shares his notes from a recent stay at City of Asylum/Pittsburgh earlier this month. In this account, he stumbles upon the fun-filled art project Randyland, which is just around the corner from COAP’s writer residences.
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Prompted by actor Faran Tahir’s lecture on theater and dictatorships, Bina Shah argues that only the arts can free Pakistan from terrorism and intolerance.
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“When an artist mourns and eulogizes the death of a brutal dictator, is he denying the suffering that this despotic hero inflicted upon the audience?” Mesfin Negash considers this dilemma in the latest Ethiopiques column.
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In this week’s column, Venezuelan author Israel Centeno issues a sharp critique to the Venice Biennale – and, by extension, the European left – for awarding the Golden Lion prize to the Tower of David, a 45-story “shantytown” project in Caracas, Venezuela.
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