Exclusive publication of four poems by the Georgian-born poet and essayists Irakli Kakabadze: “Penicillin Mini Opera,” “Information Highway Song,” “Condominium of Free Will,” and “Generation of Faithless Monks.”
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Poet and essayist Tommi Parkko talks about his modernist tendencies, the difficulties of writing long-form poems in the post-post-modern age, and how mythology helps him get in touch with the “unspoken mental history” of a society.
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Three poems from Meena Kandasamy’s collection Ms. Militancy are presented to defy the recent persecution of writers like Salman Rushdie and Taslima Nasrin in India. In Ms. Militancy Kandasamy retells Hindu and Tamil mythology through a feminist perspective.
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“Straying Far From Myself” is an apt theme for a time when Tibetan society is dramatically changing in the face of increased political violence, immigration, industrialization, and religious tensions.
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Three previously unpublished poems by Cave Canem founder Cornelius Eady: “‘I Believe I’ll Make A Change’: A Duet Between Leroy Carr and Scrapper Blackwell”; “Father Frances at Mt. St. Alphonus”; and “Eisa Davis Sings.”
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From Kenyan poet Philo Ikonya to National Book Award-winner Terrance Hayes, Sampsonia Way has featured the work of poets and novelists from around the world, many of whom have dealt first-hand with censorship and persecution.
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Poet, translator and political commentator Ko Ko Thett reviews the documentary film They Call It Myanmar, which he describes as “sobering even for a Burmese” for its graphic portrayal of destitution in Burma.
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