Commentary on the case of censored film Despertar, a documentary about the cultural apartheid against Rastafarian rapper Raudel Collazo. His song “Decadencia” is a generational howl against the institutionalized intolerance of the Cuba.
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Poet, translator and political commentator Ko Ko Thett reviews the documentary film They Call It Myanmar, which he describes as “sobering even for a Burmese” for its graphic portrayal of destitution in Burma.
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Des pieds, mon pied (Some feet, My foot), Kanor’s short, experimental documentary is framed around her quest for a home, for integration—or as a psychologist in the film states, the quest to “lay down…the heavy bags” she is carrying.
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