Ebullient and ever-interested in collaging and layering, in this interview the poet, novelist and playwright Chris Abani talks about his writing and editing processes, where he gets his ideas, why he’s never experienced writer’s block, and his many cross-discipline obsessions.
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China’s president calls for all media to train journalists on “Marxist news concepts” – but what does that mean exactly? According to Tienchi Martin-Liao, the new move coincides with the recent crackdown on dissidents as the government attempts to handle economic anxiety.
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Political analyst or disruptive propagandist? A disturbing trend in newspaper editorials in Venezuela. “Analysts interpret. They don’t rebuke, punish, exclude, or explain; that is the job of a propagandist.”
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Encinosa Fú is one of the best writers of science fiction and fantasy epic genres in Cuba. But he is also a storyteller who explores realism to its very violent limits. Author of more than 11 books, his work has been included in more than 20 anthologies.
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A re-reading of Islamic theorist and poet Sayyid Qutb’s Milestones inspires this childhood memoir from Hamdy El-Gazzar: Sparring with words, a teacher, and extremism.
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Erick Mota is a kind of chronicler of our thousand and one post-Fidel fossil futures. Entertaining, funny, relying on pure action, from which emanates however a sad reflection on the present of Cuba. He is the author of three books of fiction.
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In his writing, Fernández Larrea seeks to banish any local color of his sceneries and language, in a displacement that ultimately imitates the most common literary translation. Author of a novel, short stories and essays, he is also an editor at the University of Havana publishing house.
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