Read a poem by Jennifer Clement, poet and former president of PEN Mexico.
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I was born a few days before the end of 1970, but as it is for every Iranian of my generation, my story truly begins with the revolution. The events of 1979 transformed our world in ways that we are still struggling to understand.
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Robert Darnton’s new book examines the effect state censorship had on literature in Communist East Germany, antebellum France, and 18th century colonial India.
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The Village Indian tells author Abbas Khider’s own story of exile. With elements of both tragedy and comedy, the following excerpt – Chapter 6: The Miracles – details the many “miracles” that allow Khider’s fictional protagonist, Rasul Hamid, to flee from Iraq to Germany.
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Two poems from Bones Will Crow, the first anthology of contemporary Burmese poetry translated into English: “Achilles’ Heel” by Khin Aung Aye and “The Sniper” by Pandora. Both poems are translated by the poet Ko Ko Thett.
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Building hope in a hopeless place. The musician sits down to talk about her fight for democratic reform in Vietnam — and how it’s led her to flee her home.
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“I hope to encourage others to find ways to weave their own blankets, to tell their own stories. We all have so much to contribute. So many stories are still buried due to systemic inequities. I write to crack the earth and say: we are here and our stories are bountiful and necessary — just look at us, we’re beautiful.”
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To conclude a year of poetry, we’ve explored the broad philosophical questions of how someone becomes a poet and what it means to sojourn through the creative process. We posed these questions to Allegheny county’s four poet laureates; Vincent Folkes, Paloma Sierra, Mj Shahen, and Celeste Gainey.
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“I was sentenced to 99 lashes just for shaking hands with the opposite sex. … In another instance, when I sent my book to get permission to be published, they censored some of my words. As a woman, if I imagine or write about a romantic connection between two people, it’s censored.”
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“So by the end of the day, you are just their mirrors, and what you do is just a reflection of who they are. And in fact, it is also a reflection of who you are.”
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Last summer, Damon Young — the writer, critic, and humorist — partnered with City of Asylum to host a six-episode series called “How to Survive in America” in which he interviewed some of his favorite writers about writing, race, living through COVID-19, and everything in between.
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Alane Salierno Mason revisits the early days of Words Without Borders and shares a brief glimpse of her time as an at W.W. Norton.
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